{"id":17688,"date":"2022-04-06T01:48:51","date_gmt":"2022-04-06T01:48:51","guid":{"rendered":"https:\/\/woodriverweekly.com\/?p=17688"},"modified":"2022-04-07T11:07:14","modified_gmt":"2022-04-07T11:07:14","slug":"lost-in-transition","status":"publish","type":"post","link":"https:\/\/woodriverweekly.com\/index.php\/2022\/04\/06\/lost-in-transition\/","title":{"rendered":"Lost In Transition"},"content":{"rendered":"<p class=\"p1\"><em>By Ken Stokes<\/em><\/p>\n<p class=\"p3\"><span class=\"s1\"><b><i>Editor\u2019s Note:<\/i><\/b><i> With two relatively new, but high-profile events back to back in one not-very-populous state, Wood River Weekly asked contributing columnist Ken Stokes to cover both festivals. As a former Disney entertainment and branding executive, a longtime Valley (Wood River and Treasure) patron of the arts, and a current member of the Boise Philharmonic Board of Directors, Ken has the frame of reference to assess whether Idaho\u2019s newest benchmark festivals are two world-class events or just one big, fun mess. And that means what follows is equal parts\u2014more or less\u2014objective news and personal (but qualified) opinion. Enjoy!<\/i><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-17689\" src=\"https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-225x300.jpeg 225w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-768x1024.jpeg 768w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-1152x1536.jpeg 1152w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-150x200.jpeg 150w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-300x400.jpeg 300w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-696x928.jpeg 696w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-1068x1424.jpeg 1068w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h-315x420.jpeg 315w, https:\/\/woodriverweekly.com\/wp-content\/uploads\/2022\/04\/woody-h.jpeg 1536w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/>Spring is here, and that means that a statehouse-full of white male zealots (and the women content to walk two paces behind them) have been very busy ensuring that Idaho returns to the Dark Ages\u2014or, at least to the Inquisition. A woman\u2019s right to make her own health decisions is still under siege, as are civil rights for marginalized communities, but now librarians\/censorship, public health regulations, the lawmaking process and the importance of science are on the docket (which is ironic given the emphasis on STEM). And the list goes on. Sure, not all far-right initiatives became law, but there\u2019s always 2023.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">It also marks the re-emergence of two gems (pun intended) on Idaho\u2019s festival calendar\u2014Treefort Music Fest and the Sun Valley Film Festival. That some of the festivals\u2019 programming, subject matter and participants would be in the crosshairs of the legislature\u2019s most controversial proposals is hardly a surprise. Both festivals delivered in spades in terms of artistry and entertainment, but in the area of activism, both need some \u201cwork in the woodshed.\u201d After all, the music industry has a proud record of social activism. The film industry, not so much. It has a record of needing to be shamed into developing a conscience. Wouldn\u2019t want to piss anybody off and hurt the gross, but that\u2019ll continue to evolve in the wake of this year\u2019s Oscars. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Diversity of artists, programming and subject matter\u2014a clear priority for both events\u2014is an admirable, albeit passive, tactic to counter the aggressive campaigns of misinformation and willful ignorance employed by the Right. There\u2019s a real opportunity for both festivals to highlight these issues at the tactical level. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Let me pick one bill\/issue: H.675 (the so-called \u2018trans\u2019 bill) and two events: one at Treefort, one at SVFF to assess the Left\u2019s counterpunch.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Treefort\u2019s Dragfort Drag Brunch at Alefort Lounge\u2014Sunday (12 noon). This was a terrific, intimate event with incredible energy and a great mix of demographics across age and lifestyle. There was a follow-up Queer Talk, which was the final event of Dragfort. But both were comparatively small, it was at the end of the festival, and it was in the dark. How I yearned for the performers to rally the crowd and, reminiscent of Shug Avery in The Color Purple, herd them to a celebration of happiness at a church or the Capitol. So timing is everything. Schedule the event coincident with Sunday Services or when legislators are apt to be at the Capitol. And how about jumping on the trendy drag storyteller bandwagon at Storyfort? <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">SVFF\u2019s After-Hours Shorts\u2014Friday (10 p.m.). The final short film (11:15 p.m. screening time!) was the provocative \u201cStarf*uckers\u201d\u2014a study of the devastating impact of predatory behavior by Hollywood executives and the exploitation of gay male teens. Beautifully crafted and acted, I only wish the story had been less \u2018coastal\u2019 and had been set in, say, a mens\u2019 locker room at Penn State. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The second half of the film is a revenge fantasy with a twist that\u2019s wildly entertaining until it turns heartbreaking (spoiler alert) and the victim drops his coping mechanism of bravura and, wordlessly, communicates the full magnitude of the damage done by people who, to further their own agenda, torment others without any regard for their victims\u2019 humanity. Our legislators should see this film, and the good news is they can expense the ticket price as research. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The disappointing thing is that this was an important film buried in the schedule and competing with festival-sponsored parties that \u2018influencers\u2019 were bound to attend. Maybe two-dozen people attended the screening. Sad.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Segue to \u201cThe Power of the Dog\u201d\u2014Jane Campion\u2019s celebrated period Western which was nominated for 12 Academy Awards and deals with homosexual self-hatred manifesting as manipulation and bullying, and also has a very surprising revenge twist. Wouldn\u2019t it have been great to have snagged some Power of the Dog filmmakers (after all, the SVFF has a relationship with the New Zealand film industry, which produced Power of the Dog) and turned a midnight showing into a prime-time screening of both the short and the feature with a follow-up discussion billed as one of the festival\u2019s wildly popular Coffee Talks. Hell, it could have been promoted as a benefit for LGBTQ+ filmmakers with premium pricing. It would have been a \u2018must see\u2019 with a sold-out house.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">My challenge to the event management for both festivals, in 2023, is to find ways to bring &#8216;into the light&#8217; events which can serve as very visible counterarguments to the most draconian issues under consideration by our state legislators. It will make two beloved events transition from entertainment and toward having an important voice in social responsibility\u2014a meal with two entr\u00e9es. All without sacrificing any of the fun.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ken Stokes Editor\u2019s Note: With two relatively new, but high-profile events back to back in one not-very-populous state, Wood River Weekly asked contributing columnist Ken Stokes to cover both festivals. As a former Disney entertainment and branding executive, a longtime Valley (Wood River and Treasure) patron of the arts, and a current member of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":17694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","_pvb_checkbox_block_on_post":false,"footnotes":""},"categories":[62,4,6,86,18],"tags":[],"class_list":{"0":"post-17688","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-entertainment","9":"category-event","10":"category-ketchum","11":"category-news"},"_links":{"self":[{"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/posts\/17688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/comments?post=17688"}],"version-history":[{"count":4,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/posts\/17688\/revisions"}],"predecessor-version":[{"id":17755,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/posts\/17688\/revisions\/17755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/media\/17694"}],"wp:attachment":[{"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/media?parent=17688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/categories?post=17688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/woodriverweekly.com\/index.php\/wp-json\/wp\/v2\/tags?post=17688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}